Summary:
Latour takes an
anthropological looks at what gives visualizations their cognitive value and
comprehension. After reviewing several anthropological,
psychological, and business-related works, he found that Visualizations are
most effective when they contain certain characteristics.
First,
visualization must have elements of optical consistency. One of the most effective elements of optical
consistency is perspective. Perspective
is the reason why many graphs and, especially, maps seem incomplete or
confusing without legends or scales. Our
brains are nearly automatic when it comes to taking something we see in one
picture, and comparing it with object in another picture as long as we have a
baseline to do so.
Second, it must
obey by the “visual culture” at the time of the visualization’s creation. Visual culture is an abstract requirement
that essentially requires the photographer or artist to have elements in the
photo or work that allows the observer to assessing its own worldly attributes
to it. The work can be viewed at a
future time, but still be understood to be a snapshot of a different time. The overall picture or message is still
clear, regardless of when the picture is viewed.
Third, and
related to the second requirement, a visualization is most effective when is
can be understood relatively. The
ability to publish visualizations have made this requirement easier to
meet. The ability to publish makes
visualization mobile (able to be view across a wider time and space) and immutable
(able to remain unchanged over time).
After outlining
what makes for the greatest mobile and immutable visualizations, Latour
explores how the use visualizations help people understand otherwise
overwhelmingly complex phenomena.
While anything
can be re-imaged or re-visualized, Latour argues that consistency is key. A dissenter can go find various illustrations
of his/her positions, but too many visualizations may actually harm his/her
cause. Like scientific theories,
visualizations are best understood when being conveyed in a consistent fashion. As a very simplified example, ‘bar graph’
issues can be become convoluted when too many start to use pie graphs to
portray them. Spatial dynamics would be
much more confusing displayed in a table rather than a map. Since visualization be produced and dispersed
at low costs, consistency is key.
In addition,
visualizations make otherwise complicated, 3 or more-dimensional phenomena into
flat representations. When these issues
are illustration sufficiently on a flat venue, greater comprehension and
communication is achieved – especially when the visualization is coupled with a
written text.
Critique:
However, this
requirement seems to be mainly useful for photography and art, and is of little
importance to intelligence analysts.
Latour’s exploration of visualizations makes intuitive sense, but there are
little experimental citations in his writing.
However, he does include plenty of anthropological and scientific
research to guide his exploration. Until
his intuitive points are proven wrong in an intelligence-setting experiment, analysts
should follow his recommendations.
Visualizations are a valuable modifier, if not a method.
Source:
Latour, B.
(1983). Visualization and cognition: Drawing things together (pp. 1–33).
Boston, MA: Harvard University. Retrieved from http://isites.harvard.edu/fs/docs/icb.topic1270717.files/Visualization%20and%20Cognition.pdf
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ReplyDeleteI also think that whether visualization is a method or an analytic modifier is contingent on the visualization in question and its use as an analysis and/or communication tool. It's hard for me to imagine the estimative output of an IPB or a strategic group analysis divorced from the accompanying visualizations. In other instances like the visual metaphor and temporal diagram in the article I reviewed, visualization clearly serves as an analytic modifier.
ReplyDeleteThis article was published in 1982 and expressed the need for consistency in "visual culture." What do you think is the current visual culture of the intelligence profession?
ReplyDeleteI would say interactivity is a primary component of today's visual culture.
ReplyDelete